Returning with his first album since 2006’s Educated Horses after several delays following the record’s completion in 2008 - due to his work on Halloween 2, time spent shopping for a new label after 18 years of recording for Geffen, and, perhaps, a lack of public interest - Zombie has since gone on to say that the songs on Hellbilly Deluxe 2 were his easiest to write. To outsiders, the entire schlock enterprise may seem ridiculous or sound monotonous, but even the weak cuts here hit hard and give fans exactly what they want.Love him or hate him as a director or as a musician, Rob Zombie shows no signs of closing the door on either of his creative endeavors anytime soon. For most listeners, it doesn't matter if Hellbilly Deluxe is technically a White Zombie or Rob Zombie album, since it delivers the goods, arguably even better than Astro-Creep: 2000. Since White Zombie was always his baby, it seems a little strange that he had the need to break away from the group, especially since the album sounds exactly like a White Zombie record, complete with thunderous industrial rhythms, drilling metal guitars, and B-movie obsessions.
He did extracurricular animation, managed a band, started a record label, drew a sequence in Beavis & Butt-Head Do America, appeared in films, wrote the script for The Crow 3 (which he planned to direct), and most tellingly of all, he recorded a solo album, Hellbilly Deluxe. Stopping short of breaking up the band, Zombie set out to make sure everyone know that he was the main force in the band, as if there were any doubt in the first place.
Just as White Zombie was on the verge of becoming the most popular metal band in the land, Rob Zombie decided he was an auteur.
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